Monday, February 23, 2015

SkirtsAfire fashion show and media blitz

What a great morning. We walked into the hall and noticed I was the oldest participant, which of course made hubby chuckle and call me an ole boot, Matriarch I corrected him, both chuckling by now. Then someone questioned if I was there to support my daughter, I laughingly replied "no this ole boot is one of the designers who decide to expand her comfort level".  I can now say I participated as a designer and model in the SkirtsAfire fashion show media blitz and had a blast. I loved the energy and the coming together of creative women, it was wonderful, its how it should be. Creative women supporting and promoting creativity in women, what a wonderful thing to be a part of. SkirtsAfire is now in its third year and I am so looking towards taking in some of the events. 

The opening ceremony is thursday March 5th from 5-7pm at the Nina Haggerty Gallery 9225 118 Ave.
My art work is in the juried art exhibition at the gallery, so we will be in attendance. 
From 1-3 pm on saturday there will be artists talks and viewing at the Gallery, I will be talking about my work but don't know what time.

Ok I promised photos, so my loving husband set to the task of capturing the show to share.
 Getting ready.

 I was the lead out and as my dress is titled "Dance the Night Away" based on 1920 Flapper era I shimmied, shook and twirled, in essence had great fun.

 Skirt made from used plastic tablecloths, surveyors tape, kitchen strainers, christmas tinsel, cassette tape and mesh fruit bags. The judges are sitting to the right and you can see some of the camera crews that were recording the event.

Next up was a fantastic creation by three young students Madison Braget, Brooke Fersovitch and Kaylee Gaines titled "Midnight Truffle" which was made of tarp layers fringed with a duck tape waistband fastened with bottle cap buttons. I loved seeing their youthful creativity they did an excellent job, the bottle cap buttons were in my mind a stroke of genius. Sorry no close up, though hope to take some close up photos on the mannequins when the SkirtsAfire Festival opens.
"Mas Claro" by Joan McFarlane. Great geometric design by arranging tea towels and bubble wrap. (this one is a runner up)

 Can you believe its door screening as the base of this skirt that is covered with receipts and cigarette foils. "Not-your-ordinary Lace Skirt" by Paola Cantal.

 Ira Tuzlukova made "Paper Couture" skirt totally out of folded paper, amazing. Founded on the idea of Alexander McQueen couture lines.

 "Save Our Trees, No Flyers Please" by Tessa Stamp and Christie Hutchinson. Tree branches and flyers attached to a burlap base, I love the matching head piece that pulled the woodsy look together. (This is the the winning skirt)

And "Sleight of Hand" by Kia Day, a fitted Pencil style skirt made from playing cards with a hint of red lace at the leg.

As one can tell the designs are varied, creative, fun and best of all they are made of reuse and upcycle. During the festival all skirts will be on display in the SkirtsAfire Cabaret Space at the Alberta Community League 9210 118th Ave.
I can honestly say I am pleased to have been chosen to be a part of the SkirtsAfire skirt design competition. Well done Ladies.

Wednesday, February 18, 2015

Is if finished?

Ok, so last post I showed the process of acrylic painting remembering to photograph the stages as each day progressed. The painting Watching the Hikers was viewed for two days and though it seemed complete I was not satisfied, I felt it could be pushed a bit further. The greens tended to be a bit too consistent as I used Ultramarine blue with Cadmiums it gave a muted green which was good for the effect of the cloudy spring day which was what the week camping in Waterton held for us.

Everyday was rainy for a portion of it which made for beautiful strong coloration of abundant wildflowers which were ablaze across the hillsides. Bears and coyote ambling through the fields were a joy to behold as we drove through the park. Due the rain, trails were slippery enough that I could not traverse them so we stayed pretty close to the highway, after all if I slip my poor hubby is the one who has to carry me back out, and I am not that light.

So back into the painting I ventured with Phthalo Blue mixed with Hansa Yellow plus Titanium White to create brighter and lighter green/blue hues to offset the muted one. The nice thing about acrylic is that areas can be overpainted. I mixed white in to soften the green area in front of the bears face to subdue and shift the background green back a bit more there. Shades of the new color blend was stroked on background trees for added variation which in my view added a bounce of life to those areas. Into the foreground pure color was randomly glazed and dabbed using a half inch brush both flat and on edge to add pops of the color into the foreground. Lastly Burnt Sienna was mixed with Ultramarine to darken and reshape the mid ground and add a earthy feel to the plants. Is it now done?

I let the painting sit overnight and this morning punched up the darks in a few areas defining the back trees a bit more. So far satisfied with it. You will notice a change in color tone from yesterday to todays photo, thats due the dark cloudy days we are having and yesterday I forgot to turn off my overhead light which cast a warm tone. Today though I had enough light to take the photo but had to lighten it on the computer. Also due the process of acrylic glazes light bounces through to the underlying colors just as in a watercolor painting making it quite difficult to get an exact copy of the painting. In reality I believe the truth is somewhere between the two images. I need to wait for a day with good consistent natural lighting to capture a final photo of the painting but for reference images this is ok.

As with most artists the more we paint/create the more we learn the more we develop. So practice and keep on creating.

In the last three weeks I have painted three acrylic paintings. "In the Wake of the Loons" a canoeist on a lake at evening when the light becomes bold across the landscape. "Cameron Waterfalls" at Waterton Lakes National Park and "Watching the Hikers" also a Waterton landscape.

Another Bear in the wildflowers painting is in its rough draft stage, will I remember to document its progress? I will attempt to as I wish to push this one with bolder wider looser brush strokes and use less muted color. I have an idea in my mind where I wish to go with this one which is unusual for me as I tend to paint tight and very detailed. Maybe this is another turning point in painting for me, time and paint will tell.

Sunday, February 15, 2015

Waterton National Park Bear Painting in acrylic from start to finish.

I love bears and I love watching and painting them. Last spring we camped in Waterton to study bears as they grazed on the open mountainside meadows. In all we were blessed with seeing about eight different bears and the meadows were abundant with a blaze of colorful blossoms.
 Mostly I paint tightly with high detail so this time I made a conscious decision to paint in a looser style. Instead of doing a highly detailed drawing onto canvas I only noted the bear and the mountains basic outline with a bit of detail to keep me on track. Keeping with the notion for my brush strokes to have more freedom I painted standing up, normally I sit while painting. Mixing a good quantity of acrylic gel into the paints brushed on with a one inch brush in a very loose manner to cover the canvas gives an initial color tone.

 The next step was to mix color with less gel though still keeping the colors washy yet darker tone shaping the forms with paint. The colors are Liquitex Cadmium red med hue, cadmium yellow light hue and Ultramarine blue (green shade) as well as titanium white mixed in to shape the moody spring sky that blends into the snow ridges on the mountain. I always use quality paints and high quality canvas to work on. It costs more but is well worth the extra dollars spent.

 Adding more paint and less gel the painting advances as more detail is added. Greens are all made up of blends of Cadmium yellow and ultramarine blue with varying touches of red to tone and mute some areas.

 I now push the paintbrush flowers with vivid pure strokes of cad red & cad yellow and add white to ultramarine to define the blue flower shapes.

 Passages of gray tones are created using the primary colors to add depth to effectively push the lighter mountains back into the distance. With a touch of burt sienna into the ultramarine the foreground is glazed to tone down some areas and some of the paintbrush flowers are toned down.

 The completed painting converted to black and white on the computer to check tonal balance.

The painting is complete, at least at this point I believe it to be. I will leave off painting at this point and see how I like it a week from now. Sometimes I get too close to a piece and don't see the flaws till later so its best to leave it alone and work on the next. Actually I work on up to three paintings at a time  bouncing back and forth between them. If I get stuck on what to do next I switch to another to keep the momentum going, well thats the theory if alls going well. This painting which is 16x 20 inches took about one week to produce. Title which came to me as I was painting is "Watching the Hikers"

Friday, February 13, 2015

2nd post about SkirtsAfire design competition

Wish I could say making a plastic tablecloth skirt is an easy-breezy chore, but, I cannot. Its a good thing I didn't procrastinate on this project as there have been a few minor set-backs. First was breaking threads and screwy tension on the sewing machine. I figured the top tension was askew so I went online to investigate how to remove the top cover. Frustration set after a few hours searching. Thank goodness Super-hubbies excellent google skills got it figured out. The cover was removed to reveal an astounding amount of dust and fibre lint staring me down. After a bit of dusting and finagling with tweezers removing thread from deep moving parts I was impressed that I was able to put everything back together; good thing attention was paid to how hubby removed it.

 My initial idea was to use tinsel held together at one end figuring I could just stitch across the top attaching it to the plastic. Well, not to be as the plastic is too fragile, too thin, too old, tears easy. Yes, tears easy, oh my the words emitting from the depth of the studio was… well lets just say its a good thing hubby has a sense of humour and finds my outburst funny. So time for a rethink. I dig through more old recycle stuff destined for the Reuse store and find the mangle of tinsel you see above.

 Since the tinsel cannot be sewn to the plastic I decide to loop it through the strainer parts instead, whoohoo, looks like it going to work. So after three hours looping and tying progress is made.

As the skirt needs a display stand during the SkirtsAfire Festival an old dress form purchased for an art project years ago needed bulked up as its a good six inches smaller than the breadth and depth of my body shape. I cut up an old quilted coat and hand stitched it to the form filling in the waist area, then wrapped and stitched an old blanket to fill out the rest of the form topped off by a t-shirt to hold it all intact. Oh shiiii..t the legs on the stand wobble and tip the form over. Once again Super-hubby to the rescue to tighten bolts. The skirt is placed on the form and ahghhhh... the tinsel has shook loose due its slipperiness and is falling to the floor. NOooooo!
Rethink time!
Tea time.

My Achy Breaky Heart cassette is cut and tied in with silver, red and gold tinsel for varied texture. 

The fix is thick pink cotton thread from a rummage sale. 

The re-thread job after two days of work as it is a finicky slippery process.

As one may now realize I've only given a glimpse of materials, the reason for this tease is that the completed skirt will be shown in a fashion show on february 23, so please be patient as the completed skirt will be after that date.

Monday, February 2, 2015

Textiles from Fragile Elements exhibition.

These three textiles were shown in the Fragile Elements Exhibition last March/April at the Art Gallery of St Albert along with my hand built nests. They spurred much conversation and interest with art patrons and visitors to the show. If they do not sell in due time I may incorporate them into an article of clothing so that they are enjoyed by myself as creative attire.